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Carrie Strine

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September 22, 2013

This quilt has been finished and photographed for a few weeks now, but with the change of seasons always comes a flurry of activity. Couldn't quite find the time to get it posted, not to mention my day job has been exceptionally busy.

I used shott cotton, nani iro cotton gauze, and cloud 9 organic prints a bunch in this quilt, and the combination has made for a seriously soft finished product. I kind of want to snuggle up with it all day long. A fun quilt to make, and the one "crazy" square feels like some kind of signature. Scrappy forever!

Check it out in my shop .

 

1 Comment
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August 1, 2013

This quilt is super fun to piece, and I'm loving these fabric so much. I know I use a lot of blue and teal, but I can't really help myself. Its hard to see in this photo, but I think overall some stripe patterns will emerge more predominantly. I'm not sure how other people usually work tumbling blocks patterns, but I'm finding in strips is working best for me.

2 Comments
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July 29, 2013

Pulled together a bunch of Tim's old shirts along with a little Amy Butler and my new favorite railroad stripes from Rober Kaufman. Since working on the 30 degree triangles, I'm ready to tackle a tumbling blocks quilt. I'd love to make it all blocks no border, but we'll see if I can stick to that plan.

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July 25, 2013

I've learned reading a bit more about historical quilts that my hand quilting is not what you might consider "fine". Usually I stitch right around 6 stitches per inch. I can't quite wrap my mind around how to get to 10 stitches per inch, but I've been working on my stitching a bit on a pillow cover I've got in progress. I've made it to about 7 stitches per inch, and I think I won't be able to get much finer with the wool batting. I'll give even finer a try with some cotton batting very soon.

5 Comments
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July 22, 2013

West Virginia Quilts and Quiltmakers: Echos from the Hills has been my latest reading material. Nothing particularly attracted me to West Virginia quilters until I flipped through this book admiring the quilts within. I had to have it just for inspiration, but I actually learned a great deal reading the text. The connections and personal histories of the quilters who made the quilts within is endlessly interesting, but I'm surprised how much technical knowledge I gleaned from it as well.

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